1790 07-04 Long Live the Republic—DEFEND THE CONSTITUTION
1774 07-04 American Maniac
1779 07-04 Raising a Flag over Mar a Lago (faded)
1780 07-04 Raising a Flag over Mar a Lago (sepia)
1784 07-04 Such is life (ABRIDGED version)
1785 07-04 Everything is for the best in this, the best of all possible worlds (ABRIDGED version)
1786 07-04 It’s good to be the king! He who saves his Country does not violate any law (ABRIDGED version)
1787 07-04 I AM the deep state.  Let them eat cake (ENGLISH version)
1787 07-04 I AM the deep state.  Let them eat cake (FRENCH version)
1788 07-04 After us, the flood.  Weep and watch us eat, you revolting peasants!

This section’s title is not intended to preach to Americans, but rather to clarify that while I am culturally deeply rooted in the Anglosphere, I have great respect for the French and my goal here is not to echo old jokes, but rather to help Americans recognize that we cannot well laugh at the French without pausing to ask whether their experiences are any different from our own.

These images are about the soul of America, not France; and the extreme hostility and division of America into two camps of people who don’t seem able to communicate with one another any more, even though our interests as fellow Americans are 98% aligned and only 2% unaligned, a problem I end up addressing most squarely in the last image, 1783.

The more I focused on propaganda, freedom, and civility in the present as the point, the less-relevant it was to limit examples to any specific historic time period. But as it happens, my starting point was WW2, the contemporary Golden Age of Comics, and what America’s obsession with fundamentally anti-democratic and anti-egalitarian superheroes might say about its challenges with self-awareness.  Particularly since I found support for something I had long suspected:  That not only was the original idea of a “superman” or “overman” underlying American superheroes the selfsame theory of Friedrich Nietzsche that inspired the Nazis, the inspiration for Superman’s moniker, the so-called “Man of Steel,” was none other than the mass-murdering dictator Joseph Stalin (“Stalin” was a pseudonym he adopted meaning “Man of Steel” or “steel man”).  Numerous factors contributed to the success of the character and the genre, but critical to it was the fact that many people were highly receptive to the idea.  Fantasies about how wonderful communism and fascism were in other countries in the 1930s were grossly misplaced, but understandable to some extent; and I wouldn’t hold them against anyone with the intellectual honesty and personal humility to learn over time when faced with their overwhelming and obvious flaws.  But understandable or not, believing such fantasies was then, and is now, an existential threat to the things that really can make the future better:  democracy, capitalism, and above all individual liberty.  Falling for the fantasy that celebrities, the wealthy, strongmen, the vanguard of the proletariat, the purebloods, philosopher-kings, or any other category of special people can be or ought to be trusted with power over others is stupid and dangerous.  Deciding that one cannot be bothered to educate oneself and vote responsibly, is stupid and dangerous.  It reminds me of the old joke about playing cards:  How can you tell who the sucker at the table is?  It’s the coward who surrenders their faith in individuals, including their own agency and responsibility, then acts surprised when he or she is exploited.  D’uh.

It’s no accident I picked crazy Esmeray as the primary representative of the US in this series of pictures.  She expresses both my hopes that America can be its best, and my fear of its worst excesses.

Literature Section “07-04 DEFEND THE CONSTITUTION—Lessons for Americans”—more material available at TheRemainderman.com—Part 4 of Chapter Seven—Accompanying Images:  1774, 1779-1780, 1784-1788,1790, 1925, 2025—Published 2025-06-24 to 06-29—©2025 The Remainderman.  This is a work of fiction, not a book of suggestions.  It’s filled with fantasies, idiots, and criminals. Don’t believe them or imitate them.

1790 07-04 Long Live the Republic—DEFEND THE CONSTITUTION—2025-06-24; Esmeray; propaganda poster.  I made this one, then discarded it in favor of the French posters when I started developing them, then brought it back to fill out the series because I like the image, and the reason I originally liked it was the way it seemed to draw a parallel between the experiences of the US and France, and the challenges they have faced in the past and they both face today.

1774 07-04 American Maniac—2025-06-24; Esmeray; more an explanation of the concerns and anxieties that helped motivate me to make this series, than WW2 subject matter itself.  This image seeks to set up the issue by distinguishing between citizenship and partisanship. We can be members of the same civil society, and deal with one another as colleagues, without agreeing about everything.  We can put the interests of our country ahead of other things, without being mindless jingoists or accepting an aggressive view towards the world, or a servile view of our relationship with US authorities.  I would be pleased if the entire series could encourage Americans to reconsider the benefits of working with others since the evidence is overwhelming that everyone is better off when they cooperate to improve everyone’s lot, and is worse off when they view the world as a zero-sum game where the goal is to take as much from your neighbors as you can get away with.  I’m not saying there isn’t a time for fighting or a time for standing up for yourself; there certainly are. But there’s nothing about 2025 that would make this the time for disrupting any alliances, let alone all of them. We as a country need to remember the value of cooperation and mutual respect.

1779 07-04 Raising a Flag over Mar a Lago (faded) & 1780 07-04 Raising a Flag over Mar a Lago (sepia)—2025-06-25; Esmeray; old personal photos. Compare

https://en.wikipedia.org/wiki/Raising_a_Flag_over_the_Reichstag.  The source photo is one of the most iconic photographs of World War 2, and came to mind when I was thinking about how to portray patriotism and superhero powers together:  waving the flag on top of a building in Metropolis came to mind.  And it involves Stalin, with a whole raft of ironies introduced by the fact the whole war in Europe started when Stalin and Hitler agreed to split Eastern Europe by force between them, and Western democracies objected to this horrific plan.  Ultimately, I decided to use Mar a Lago as the building because it was symbolic of much of what I object to about America’s current situation.  Long before Trump bought the property or ran for office, the US government refused to accept the estate as a gift for use as a Winter White House because it was too expensive to maintain.  He later obtained the property at a discount by threatening to destroy its value if the owner didn’t sell, a tactic representative of his history of sharp dealing.  After converting it to a club and being elected President, he used it into a way to charge people for access to a public official (himself) by making himself available in the club, which is only accessible to people who pay an exorbitant membership fee, much like the bribe-takers on the steps of the Vatican who once sold access to the Pope.  Metaphorically, we do need to take back government from the place where it is wrongfully conducted in the corrupt twilight between private and public sectors, to the light of day.  The idea that this is an acceptable or mainstream way to run a country ignores the fact that it is what traps most of the world’s population in a cycle of poverty and oppression to this day.  We shouldn’t be accepting backsliding but instead should be trying to make our country better.

1784 07-04 Such is life (ABRIDGED version) & 1785 07-04 Everything is for the best in this, the best of all possible worlds (ABRIDGED version)UNABRIDGED VERSIONS CONTAINING FASCIST IMAGERY AVAILABLE AT PATREON.COM/THEREMAINDERMAN—2025-06-26; Martin (in 1784) & Cutter (in 1785); propaganda posters.  Compare: https://www.alamy.com/vichy-france-ww2-propaganda-poster-against-communism-french-militia-supported-by-marshal-petain-anti-semitic-xenophobic-authoritarian-propaganda-poster-for-the-recruiting-recruitment-of-nazi-appeasement-appeasers-french-facist-militia-1943-signed-eric-ww2-world-war-ii-image466236767.html?imageid=218485E2-ED7B-4276-89BF-7FACCE305A9C&p=66052&pn=1&searchId=92fed0677eaf89ed1cdf2bada5be10e0&searchtype=0 (for basic composition, coloring and words) and https://www.alamy.com/vichy-france-propaganda-poster-1941-ww2-vintage-world-war-two-propaganda-poster-issued-by-the-vichy-government-world-war-ii-laissez-nous-tranquilles!-leave-us-in-peace!-image-of-a-french-family-planting-a-tree-with-four-black-beasts-three-dogs-and-a-three-headed-snake-symbolizing-the-enemies-indicated-in-writing-de-gaulle-freemasonry-the-lie-the-jew-ready-to-attack-the-land-of-france-and-its-inhabitants-vichy-france-french-rgime-de-vichy-is-the-common-name-of-the-french-state-tat-franais-headed-by-marshal-philippe-ptain-during-world-war-ii-image593595906.html?imageid=E4B5FB98-DA7E-43B7-B4CB-F56FEB1CA341&p=66052&pn=1&searchId=92fed0677eaf89ed1cdf2bada5be10e0&searchtype=0 for the thinly veiled theme that Germany has saved Frenchmen from any need to worry their pretty little heads about world events.  Translation:  C’est la vie  Such is life (but I did not find any clear etymology online); Dans ce meilleur des mondes possibles, tout est au mieux  In this best of all possible worlds, everything is for the best (apparently a shortened form of the original quote from Candide, instead of the direct language from the play).   La Vie Française  The French Life (in abridged version); Milice Française  French Militia (in unabridged version). 

Parrainé par l’École Européenne pour les Américains  Sponsored by The European School for Americans; La Presse Française  The French Press.  The French Militia was a paramilitary organization created to assist the SS and Gestapo in suppressing the French Resistance.  The rapid French collapse in World War Two resulted from a number of factors, including most sympathetically, that France—like its capitulating leader, Petain—was demonstrably a shell-shocked and traumatized version of the country that resisted the previous German invasion a generation before, that had been one of the primary battlegrounds of World War One, and that its military forces and tactics were greatly overmatched by those of Germany.  But while acknowledging France lacked the endless steppes of the USSR or the English Channel of the UK to provide it with breathing room to sort itself out, it is a fact the USSR and the UK similarly had their asses summarily handed to them in their first encounters with the Wehrmacht, but fought on despite deprivations and losses.  It is impossible to avoid some sense, though, that the swiftness of the capitulation, before the country’s armed forces were categorically defeated, reflected the fact French devotion to their own cause and Republican government were less passionate and committed than that of countries with governments and traditions much less worthy of loyalty than theirs.  To me, that loss of faith and belief in a system that at the end of the day was worth fighting for or better yet improving upon, resulting in capitulation to a much-worse form of government, resonates strongly with the corrosive hostility of the internal US “culture wars” with their focus on lashing out at other Americans in indulgence of people’s petty rivalries and gripes, and at foreign countries for our own weaknesses, rather than remembering the much greater interests and values embodied in our history our moral strength and even our institutions, as frayed as they are.  Certainly, our interests as Americans, humans, and moral agents are aligned with making democracy, liberty, and cooperation with others stronger, rather than abandoning them; and the benefits of our cooperation and tolerance are orders of magnitude larger than the ultimately small and unworthy bickering to which much of contemporary dialog often sink.  Giving up did not serve the French very well in World War Two and it’s not serving Americans very well now.  Yes, the French, galvanized and reminded of their values and heritage by the shock of occupation, returned better and stronger with a vibrant, even defiant, democracy after the war was over.  But could we please pull our collective heads out and work together, within the rule of law, to make America better without having to shoot ourselves repeatedly in the hands, feet, and other body parts first, to remember why that’s a bad idea?

1786 07-04 It’s good to be the king! He who saves his Country does not violate any law (ABRIDGED version) Unabridged version containing graffiti including sexual themes at 07-04 DEFEND THE CONSTITUTON at Patreon.com/TheRemainderman

—2025-06-27; Penny, Chastity; propaganda poster.  Compare https://www.youtube.com/watch?v=8z8SpgmF0sA and https://www.reuters.com/world/us/trump-if-it-saves-country-its-not-illegal-2025-02-16/

Translation:  (here translated *to* French) It’s good to be the king  C’est bon d’être le roi; (here shown as translated in both directions) Celui qui sauve son pays n’enfreint aucune loi   He who saves his Country does not violate any law; Parrainé par l’École Européenne pour les Américains  Sponsored by The European School for Americans; La Presse Française  The French Press.  The first quote is from Mel Brooks’s History of the World Part 1 (1981); but to me, it captures the attitude of public figures who openly and unapologetically use their position and power for personal ends, to the wreckage of the state and private institutions, confident that the sheep below them will not question or criticize him for anything he does.  The second quote is brilliant, because the President deliberately and knowingly quoted the dictator Napoleon I who returned France to monarchy and converted wars to defend the French Revolution, into wars for his personal aggrandizement and gain.  Napoleon did have some achievements, like modern civil codes and courts to enforce them, on the plus side of his ledger; but it’s hard to understand how they could possibly outweigh his failed efforts at continental conquest, let alone his successful destruction of the last vestiges of the First French Republic.  The fact the US President drew the same parallel between himself and Napoleon, and thus the US and France, supports my own comparisons in this series.  The quote is also evocative of Richard Nixon’s claim that “when the President does it, that means that it is not illegal, by definition,” highlighting the extraordinarily dangerous tone of the President’s current speech.  I have portrayed Napoleon making the statement while partying down during his very brief occupation of Moscow as the first snow of the season starts to fall, to highlight how unlikely the claim of being a singular savior of a nation really is.

1787 07-04 I AM the deep state.  Let them eat cake (FRENCH & ENGLISH versions)—2025-06-28; Chastity, Penance; propaganda poster.  Compare https://en.wikipedia.org/wiki/L’%C3%89tat%2C_c’est_moi and https://en.wikipedia.org/wiki/Let_them_eat_cake.  Translation:  L’État, c’est moi  I am the state; Qu’ils mangent de la brioche  Let them eat cake.  I like that this propaganda poster is built on not one, but two different quotations I was taught in history, but that are now questioned or rejected by historians (as discussed at the referenced links).  At once, it reminds us that we have to adapt to changes, whether they make us comfortable or not; and be guided by reason and empirical evidence, rather than unfounded superstitions, no matter how comforting our superstitions are; yet at the same time, they’re particularly potent examples of propaganda because (to me at least) it’s clear why they have gathered such force despite their doubtful provenance.  Wherever they came from, they capture important insights in a pithy, memorable fashion.  They reflect realities and attitudes that still drive human behavior today by those who imagine their life circumstances are the only moral justification they need or care about.  At the same time, they require us to exercise judgment about what has been proven, disproven, can be proven or disproven, or is unknown and unknowable; and how our knowledge of the truth (or lack thereof) must be a moral bound on discourse.  I have pushed these issues further by adding the word “deep” because I think it may help clarify the relevance of an old quote to our present situation and debates, rather than misleading anyone about an issue that isn’t intended to be the focus here (literal translation).

1788 07-04 After us, the flood.  Weep and watch us eat, you revolting peasants!—2025-06-29; Penance, Chastity; propaganda poster; compare https://en.wikipedia.org/wiki/Apr%C3%A8s_moi%2C_le_d%C3%A9luge.  Translation:  Après nous, le déluge  After us, the flood; Pleurez et regardez-nous manger, paysans révoltés !  Weep and watch us eat, you revolting peasants!  I was taught King Louis XV was responsible for the first quote, acknowledging that the rot and vested interests inherent in the French Ancien Regime would not long survive the forces unleashed by the Enlightenment.  Apparently it was more likely (and indeed fitting on some level) that his mistress, Madame de Pompadour, said it in the plural “Après nous, le déluge”.  Scholars debate exactly who said it, and what they were referring to; but it still speaks to me, and seems an apt reflection of the stark conflict between the Enlightenment, reason, compassion, and knowledge on the one hand; and stupid bloody violence and tyranny on the other.  The second phrase has no specific antecedent but simply expresses outrage at the degree to which people define themselves by how they believe they rank, instead of on their own terms.  Whether it’s ordinary people showing deference to celebrities, the privileged, and the successful; or the fortunate few spitting on people below them simply because they can, it’s a loathsome, negative, hollow, and immoral way to live.  It also references an old joke about peasants revolting.

1925 Man of steel materially transforms the superstructure to abolish private property and all the classes! (English version)
1925 Man of steel materially transforms the superstructure to abolish private property and all the classes! (German version)
1925 Man of steel materially transforms the superstructure to abolish private property and all the classes! (Russian version)
2025 Trump—Making the World Pay (BASE version)
2025 Trump—Making the World Pay … to Make America Mexico Again (Mexico version)
2025 Trump—Making the World Pay … to Make America Jacksonian Again (Jacksonian version)

These images are broken out because they were the last added to the production, and because the existing post on this section was already pushing the outer boundaries of oversized posts. But these images are intended as part and parcel of subsection 07-04-H.

1925 Man of steel materially transforms the superstructure to abolish private property and all the classes! (English, German, and Russian versions)—2025-06-25.  n/a; naked political statement; compare:  https://www.rbth.com/history/334246-stalin-soviet-cult-personality.  Translation (German  English):  Superman verändert den Überbau materiell, um das Privateigentum und alle Klassen abzuschaffen!  Man of steel [lit: Superman] materially transforms the superstructure to abolish private property and all the classes!  Translation (Russian  English): Сталин существенно преобразует надстройку, чтобы уничтожить частную собственность и все классы!  Man of steel [lit: Stalin] materially transforms the superstructure to abolish private property and all the classes!  Stalin’s superhero costume has a “C” on it because that is the Cyrillic character starting his name and, I think (?) is associated with the “S” sound in English.  For formatting consistency, I kept the foreign language to English translation format, I used English-language wording and sources for the original quotes, partly because it is difficult for me to access other versions and even more to determine which is the correct “original” language.  Although Marx and Engels were both German, and presumably wrote and thought “first” in some way in German, many of their most famous quotes come from addresses at international conferences or publications directed towards international organizations.  I don’t know if these addresses were given in German, French, or for that matter English although my general understanding is that in the Nineteenth Century French was still the predominant, er, lingua franca.  The language of this poster actually crams together four quotes or parts of quotes where merging them seemed intellectually honest because I was stringing together concepts (such as materiality and transformation) that they often linked; although of course the poster deliberately makes a point which they might resist.  But the intention of the posters is to attack their ideas head-on, not to misstate those ideas and avoid grappling with any issues.  Although the USSR is mercifully gone from the world, this subject matter seemed not only relevant but necessary not only because of the connection between the man and the comic book genre, but because it hopefully provides some framework for comparing with 2025 in terms of where I’m coming from.

1926-1929 Man of Steel (4 ALT vers)—n/a; examples of process; n/a.  1926 Man of Steel (ALT ver where AI didn’t print globe on beach ball but awesome expressions),  1927 Man of Steel (ALT ver where AI gave S and un-Stalinish face but fantastic globe distortion), 1928 Man of Steel (ALT ver where AI has him ironing nothing but love the coloring and style), and 1929 Man of Steel (ALT ver 2nd place for a variety of small factors) are included first, because I liked things about them, and second to illustrate some of the challenges of working with AI, especially given the tight restriction on number of words, and the difficulty I have in keeping concepts and parts of the image distinct while the number of ideas I’m trying to inject goes up.

2025 Trump—Making the World Pay (BASE version), … to Make America Jacksonian Again (Jacksonian version), … to Make America Mexico Again (Mexico version)—n/a; naked political statement; n/a.  Compare:  https://mvau.lt/media/a79e0a4b-9695-4cee-ba10-156d617d3ddc, https://leadstories.com/hoax-alert/2025/02/fact-check-trump-crown-long-live-the-king-magazine-cover.html, https://www.nbcnewyork.com/news/business/money-report/trump-posts-ai-generated-photo-of-himself-dressed-as-the-pope/6249230/.  This, and to a much-milder extent, 1779-1780, are the only direct attacks I allowed myself on specific living political individuals or movements.  I am concerned that posting them will cost me viewers, but the fact is, one of the worst problems we have in America today is people feeling like they can’t speak to people on the opposite side of the political divide, or that they’re not interested in hearing from people on the opposite side of the political divide.  This is not an ad hominem attack since it’s all about policy not appearance or personality; and I generally avoid criticizing others if I can find a way around it, sometimes going too far in that direction.  However, if I hesitated to express my very deeply-held views when I genuinely feel a need to express them to make important points, for fear of losing audience, (1) I wouldn’t have artistic integrity, and (2) (something I think is really artistically and politically important here):  my biggest concern about the US is people not speaking their mind in a civilized way to people on the other side of any given political fence.  So how can I possibly comment on that, without standing up and doing it?  I wanted to do it, and I did. If you want to respond, please do so with constructive comments or with counter-works of your own.  If you send me a message on DA I *will* check out your response on your website and offer any thoughts in response I might have.  Let’s talk!  (Not shout or ignore one another.). We have a lot to offer one another!

2026-2028 Trump (3 ALT vers)—n/a; examples of process; n/a.  2026 Trump (ALT ver with my favorite of several brilliant expressions), 2027 Trump (ALT ver with awesome money globe), and 2028 Trump (ALT ver great eating money while sycophants applaud) are included first, because I liked things about them, and second to illustrate some of the challenges of working with AI, especially the difficulty of getting it to portray specific actions, especially ones that sound violent with respect to symbols (e.g., smashing a globe).  It took a LOT of work to get it to do anything other than sprinkle dust or snow on top of the globe.  I believe I drew a policy-violation-you-could-be-banned warning when I tried specifying “Donald Trump” in an image months ago, so I had to try describing his face and toss out many, many, many otherwise-promising versions because I didn’t feel like they “vibed” Trump.  On top of that, I became convinced that at some point the AI started fighting me on descriptions that sound like Trump; query whether Big Tech has muzzled its most dynamic creations to prevent anything other than glorifications of their great helmsman, Trump, e.g., “orange hair,” the same way Chinese censors erase references to Winnie the Pooh because of its use in the past to refer to President Xi (who you risk your life and family to criticize directly in the PRC).  Certainly, the White House’s production of AI-generated images showing Trump as a King, the Pope, etc. suggest fawning on the Great Helmsman is allowed in Silicon Valley.  But definitely not criticizing.

Literature Section “07-04 DEFEND THE CONSTITUTION—Lessons for Americans”—more material available at TheRemainderman.com—Part 4 of Chapter Seven—Accompanying Images:  1774, 1779-1780, 1784-1788,1790, 1925-1929, 2025-2028—Published 2025-06-24 to 06-29—©2025 The Remainderman.  This is a work of fiction, not a book of suggestions.  It’s filled with fantasies, idiots, and criminals. Don’t believe them or imitate them.

07-04-F Allied Recruitment Messaging

These images fall into two groups:  Western Allied and Soviet.  The Western images are unrealistic, in my view, only in the extent to which they bring to the surface, themes that were present but heavily downplayed at the time.  Between Nazi Germany and Soviet Russia, the 1930s and 1940s were among the most socially disruptive in European history.  Both regimes used forced labor, starvation, the cold, concentration camps, and death camps to kill and incarcerate millions, while shuffling ethnic groups and entire nations back and forth like chess pieces to suit their designs.  All of the countries involved mobilized their populations for war, and to a greater extent than in previous wars, that included the mass mobilization of women in military, support, and industrial roles they had previously been discouraged from undertaking.  The result was families and friends being taken apart while strangers were thrown together.  This combined with longer-term trends and the general sense of “living for today” given the uncertainty of any future to change the ways workers were recruited, and the way romantic and sexual relationships formed and disintegrated.  Recruiting posters of the time, sometimes subtly but unmistakably, suggested that men could get laid by demonstrating their masculinity through military service; and that women could meet these masculine warriors by joining auxiliary formations that worked in a support role for (in most countries) male warriors.  The subtlety of some of these messages was deliberate because it was subversive:  public sentiment generally discouraged women, in particular, from departing from historical norms and expectations; and was alarmed by the disruptions of war.  But government propagandists used forbidden messaging anyway, often by remaining indirect and vague enough that their methods could be plausibly denied.  The Soviet image is unrealistic because even though it represents a loudly-touted message of international harmony and unity in communist ideology, that ideology was at complete odds with the highly nationalistic and ethnic realities of Soviet propaganda and policy.  There was a categorical inconsistency between, on the one hand, egalitarian Marxian and other communist messaging that preached the end of nationalism and racism in favor of class-based cooperation; and on the other hand, the extent to which Stalin used appeals to nationalism and patriotism to rally support within the Soviet Union for the war and for his regime; while simultaneously directing genocidal measures against ethnic groups and nations considered disloyal or risky from the Pacific Ocean to the Elbe river.  The fact Stalin, himself a Georgian, relied primarily on Russian nationalism, is just another ironic twist.  Western and Soviet propaganda were thus similar in their hypocrisy and cynicism.

Literature Section “07-04-F Allied Recruitment Messaging”—Accompanying Images:  1719-1724, 1942E, 1942R, 1944—Published 2025-06-13 to -16—©2025 The Remainderman.  This is a work of fiction, not a book of suggestions.  It’s filled with fantasies, idiots, and criminals. Don’t believe them or imitate them.

1719 07-04 Flying Aces cover July 1940–Britain’s Youngest Ace—2025-06-13; Rivqah, Roger, and Miryam; magazine cover; compare https://www.airplanesandrockets.com/magazines/flying-aces/images/flying-aces-may-1941-cover.jpg.  In reality, virtually every “Flying Aces” cover had an airplane on the cover, not people away from airplanes.  However, the image struck me as the kind of image gossip magazines would use in reporting on interesting war-related personalities.  I had originally had a mock cover of Collier’s magazine in mind; Colliers had several images of serviceman-and-his-wife during the war although having two women might have been a bit much for general-interest mass-circulation media of the time.  In the end I went with Flying Aces because, duh, the title complemented the theme; they did in fact have (fictional and factual) articles about fighter aces; and it was a British magazine.

1720 07-04 Volunteer for Flying Duties—2025-06-14; Miryam, Roger, Rivqah; recruitment poster; compare https://www.alamy.com/british-ww2-royal-air-force-raf-recruitment-poster-volunteer-for-flying-duties-1942-1945-image418221186.html  propaganda poster), of which there were a number of variants and of similarly-themed and composed posters, for the composition itself; and for the theme of recruitment posters suggesting that joining up is the best way to get laid, see, e.g., https://www.ebay.com/itm/284032713401.

1721 07-04 Take the Road to Victory—2025-06-14; Miryam, Roger, Rivqah; recruitment poster; compare

https://www.alamyimages.fr/la-seconde-guerre-mondiale-affiche-de-propagande-de-l-information-du-public-2-image351137925.html?imageid=3830CED0-63CD-4E2B-8EA0-0F6E32A3E753&p=639688&pn=1&searchId=577cfcdc58da60b6d23b057045f51060&searchtype=0 (for composition and wording generally). And for the theme of women seeking men:  https://uk.pinterest.com/pin/69031806763099077/ and https://www.alamy.com/ww2-propaganda-recruitment-serve-in-the-waaf-with-the-men-who-fly-british-ww2-recruitment-poster-womens-auxiliary-airforce-war-work-occupation-uk-1940s-world-war-ii-image503759123.html, (the latter of which I found when I was preparing this blurb, long after the image was generated, and even has the same pilot from 1720!)  Yes, the base image in 1721 is exactly the same base image as that used in 1720 (although processed differently)!  Posters directed at women were more subtle in the relationship messaging than those directed at men.   Of course, unlike the male counterpart who is encouraged to be tempted by women, proposing women look for husbands in the services might have gone too far towards suggesting women who joined the supporting services were hussies, given the unequal gender expectations of the time, and the great fears of the time in most combatant countries that the social disruption and rapidly changing norms occasioned by the war were undermining conservative values and putting young women at extreme risk.  Nonetheless, I went there with this poster, partly because I enjoyed the idea the same image, and even the same “V-for-Victory” slogan, might hold different messages for male and female viewers; and to highlight the differences between expected gender roles, and questioning what the motives for joining up were for men and women of the time.  I thought about having Hellinore’s sisters be more upstanding ladies looking for marriage, instead of slags looking for a good time, but challenging instead of endorsing expectations is always more fun; and I was trying to think of ideas to get Miryam, Roger, and Rivqah in images that was not-inconsistent with the project.

1722 07-04 Be Stooge for Capitalist War (CPUK propaganda printed 1941-06-21 and taken down next day)—2025-06-14; Miryam, Roger, Rivqah; propaganda poster.  I’m not a real big fan of communism, certainly not of the USSR, and found it repellant that communists in the Western allies were opposed to the war when Stalin was Hitler’s ally in carving up Europe; and when the war aims were more or less justified in terms of defending innocent people getting attacked, plundered, transported, enslaved, and killed by aggressive brutes (although clearly Britain’s desire for a balance of power, and naked French fear of Germany, were also critical), then suddenly did an about-face when Hitler stabbed Stalin in the back and it became a war about propping up Stalin’s regime in the name of global communist unity.  Nonetheless, I found the idea irresistible because the complete about-face in attitudes highlights the antithetical and utterly inconsistent perspectives Western communists of the time were able to reconcile in their own minds.

1723 07-04 Skeevey Aunties welcome youngest Ace back to UK soil 1940-06-29—2025-06-14; Miryam, Roger, Rivqah; old private photo.  See comments about posters for 1720-1722 regarding the origin of the image. When the AI gave me this image, it didn’t really tie into any of my planned posters; but I was too entertained by it to let it go to waste.

1724 07-04 Ace and his Aunties at the Officer’s Club the next morning 1940-06-30—2025-06-14; Rivqah, Roger, and Miryam; old private photo.  See comments about posters for 1720-1722 regarding the origin of the image, and about 1723 regarding the appeal of the image.

1944 07-04 I’d rather be with them… than waiting–The WAC—2025-06-15; Penance & Chastity; motivational poster; compare https://www.alamy.com/id-rather-be-with-them-than-waiting-the-wac-womens-army-corps-american-ww2-female-war-work-poster-1941-1945-image424727714.html.  American recruiters and marketing men seemed to be less subtle on the theme of women looking for men than the Brits.  Yes, the slogan could be interpreted as having more of a war-priority meaning than I think it did; but we’re getting pretty out of the closet here.  I loved this image because of the way it suggests Penny and Chas are half-dressed practically for foreign military-support duty, and half-dressed impractically for a cocktail party, mirroring the mixed message of the poster.

1942E&R 07-04 Workers of the Stalingrad Tractor Plant Named for F. Dzerzhinsky!  Arise and Fight for the Revolution!  Make Stalingrad the Graveyard of Fascism! (English & Russian)—2025-06-16; Kadidia; motivational poster; Translation (Russian to English):  РАБОТНИКИ СТАЛИНГРАДСКОГО ТРАКТОРНОГО ЗАВОДА ИМЕНИ Ф. ДЗЕРЖИНСКОГО!  Workers of the Stalingrad Tractor Plant Named for F. Dzerzhinsky!; СДЕЛАЕМ СТАЛИНГРАД КЛАДБИЩЕМ ФАШИЗМА!  Make Stalingrad the Graveyard of Fascism!.  I love the completely uninspiring wording of the factory name, which is typically Soviet; as is including turgid language like that in a propaganda poster.  The factory named was one of three huge factories at the heart of Stalingrad’s industrial district that became a scene of prolonged and vicious fighting.  All three factories were destroyed in the battle but rebuilt, 2 of them before the war ended.  To my knowledge, the factory workers themselves didn’t drop their hammers and sickles to pick up rifles when they heard the German tanks approaching their factory; but the idea that they might is such a communist, and especially Soviet, trope I wanted to employ it.  There were black workers in the USSR, including for example African-Americans disillusioned by America’s apartheid policies and system and attracted by socialism’s race-neutral language (along with white Americans attracted only by other propaganda messages).  More’s the pity the USSR didn’t live up to it, despite their willingness to capitalize on America’s failings on race issues.  Having a black woman lead a primarily white-male workforce to the barricades would not have been an alien idea to the leftists fighting on the Republican side in the Spanish Civil War three years earlier, and indeed the Anarchist, Syndicalist, and Communist posters portraying strong women and heroic people of color are one of the reasons I expanded the project to include works referencing the Spanish Civil War.  But multicultural internationalism, to the USSR, was a cynical means of recruiting foreign agents and causing disruption abroad, rather than a heavy theme in internal Soviet propaganda.